Sunday Media · Sessions
Every session we shoot, written out in full.
Each page is the whole thing: what happens on the day, where it works best, what to wear, and what you get back afterwards.
All of our prices are listed and pre-determined. If insurance or travel costs apply, such as flight tickets or acquiring event tickets, those are agreed with you in writing before the binding contract. Nothing is ever added after the fact.
Tap any session to open it.
The card gives you the short version. Every session with a page of its own has a link to it inside.
Proposal
Hidden lens, perfect timing, the ten seconds you will never be able to describe.
View sessionEngagement Shoot
The in-between chapter. Still giddy, not yet planning seating charts.
View sessionWeddings
One day, one chance, zero retakes. We shoot it like it cannot be redone, because it cannot.
View sessionMaternity
The last quiet chapter before everything changes.
View sessionBaby Shower
Everyone you love, in one room, before the baby arrives.
View sessionGender Reveal
The reaction lasts two seconds. We shoot at the speed it deserves.
View sessionNewborn
They are this size for about eleven days. That is the whole window.
View sessionBirthdays
First, sweet sixteen, thirtieth, ninetieth. The ones you will want to look back on.
View sessionGraduation
Four years, one gown, one afternoon on campus before it belongs to someone else.
View sessionAnniversary
Most couples have great wedding photos and nothing since.
View sessionFamily Portraits
The one on the wall. The one that outlives all of us.
View sessionBridal and Bachelorette
Your people, your last big night, documented properly.
View sessionModel Portfolio
Agencies decide in four seconds. Give them four unmistakable frames.
View sessionHeadshots
Corporate, LinkedIn, or actor. The photo that speaks before you do.
View sessionFashion and Editorial
Clothes are product. Editorial is desire.
View sessionProduct Photography
Your photo is your storefront. Shoppers judge quality by it.
View sessionPersonal Brand and Content
One session. Ninety days of content you are not embarrassed to post.
View sessionReal Estate and Interiors
Buyers decide from the thumbnail. Win the thumbnail.
View sessionBoudoir
Private, controlled, and entirely on your terms.
View sessionSenior Portraits
The last photo of who you were before everything got real.
View sessionThemed and Concept Shoots
Fantasy, vintage, cosplay, styled sets. The idea you cannot stop thinking about.
View sessionEvents and Corporate
Galas, conferences, launches. The proof the room was full.
View sessionNot sure which one fits?
Tell us the date, the people, and the feeling you are chasing. We will tell you honestly what we would shoot and what it costs. No pressure, no packages you do not need.
You have been rehearsing this for weeks. And when it finally happens, you will remember almost none of it. Every couple says the same thing: it went by in a blur.
That is what we are here for. We arrive early, find the angle, and disappear. You never see us. What you get back is the half second her hands fly to her face. The exact shape of your shoulders when the fear leaves them. The friends behind the tree, already crying.
Ten years from now someone will ask how you asked. You will not have to tell the story. You will show it.
Proposal dates get claimed fast, and we only take a limited number per weekend so nothing is rushed. If your date is set, tell us now.
There is a short window between the yes and the wedding where you are purely, stupidly happy, before the vendors, the deposits, and your aunt’s opinion about the flowers.
That window is the shoot. Golden hour, a place that actually means something to you, and enough time that you forget the camera is there. We direct just enough to keep you moving and then get out of the way.
These are the images that end up on the save-the-dates, on your parents’ fridge, and years later on the slideshow at your anniversary. They outlive the wedding photos in daily life.
Book while it still feels new. That energy does not rehearse.
Here is the hard truth about your wedding day: you will miss most of it. You will be pulled from table to table, and the cocktail hour you spent four months designing will happen without you in the room.
Our job is to hand it back. Your grandfather quietly wiping his eyes during the vows. Your best friend fixing your dress in a hallway. The three seconds before the doors opened, when you finally breathed.
We shoot the whole day like documentarians and light it like a film. No stiff lineups, no forced poses. Just gentle direction where it helps and invisibility where it matters.
We take a limited number of weddings each season so every couple gets our full attention. Saturday dates in peak months tend to go first, so check yours before you fall in love with a venue.
Right now it is still just the two of you, and a name you have been saying out loud to see how it sounds.
In a few weeks the house gets loud and the calendar disappears. This session is the pause before that: your hands on the bump, the light coming in low, the private version of excitement that nobody else gets to see.
We shoot maternity soft and warm. No awkward posing, no props you would be embarrassed by later. Just you, looking like yourself on your best day.
The window is real. Weeks 28 to 34 photograph best, and after that comfort drops fast. If you are inside that window now, this is the moment to lock a date.
You spent six weeks on the palette, the grazing table, the little cards on every seat. Then the day arrives, you host for four hours straight, and you go home with eleven blurry phone photos.
We cover it properly. The styling you worked on, yes, but mostly the people. Your mother laughing at the gift she pretended not to buy. The friends who flew in. The cousin holding your hand while you open something handmade.
In a way these are the first photos your child will ever appear in. The room that was waiting for them.
Showers cluster in the same few weekends every season. Tell us your date early and it is yours.
Everything about this moment is over instantly. The smoke, the confetti, the sound your partner makes before they can form a word.
Phones will miss it. They always do. Someone films the box instead of the faces, or the video ends half a second early.
We shoot it in burst, from two angles, with the exposure already dialled in. You get the moment of realisation, not the moment after.
There is no second take on a reveal. If the date is on the calendar, get it covered properly.
Everyone warns you that it goes fast. Nobody explains that it goes fast immediately, that the impossibly curled-up, scrunched-face version of your baby is gone within two weeks and never comes back.
Newborn sessions run on their schedule, not ours. We take our time, we pause for feeds, we keep the room warm and quiet. Nothing acrobatic, nothing that makes a parent nervous.
What you keep is the scale of it. Their whole hand around one of your fingers. Their weight against your chest. Proof that they were once this small, for the years when nobody believes it.
Best shot in the first 5 to 14 days. Message us before the birth and we will hold a flexible window around your due date.
Some birthdays are just a Tuesday. Others are the ones people talk about for a decade.
We shoot the second kind. The room before anyone arrives. The face lit only by candles. The dance floor at 11pm when the polite version of the night is over and the real one starts.
You are the host, so you should not be the photographer too. Put the phone down, be in the pictures for once, and let someone else worry about the light.
Milestone birthdays land on one date and one date only. Ours book out around holiday weekends first.
You will walk that campus one more time and then, quietly, never again. The library you lived in. The bench where you decided to switch programs. The building that nearly broke you in second year.
A graduation shoot is not about the gown. It is about standing in those places one last time, on purpose, while you still belong there.
We shoot it warm and cinematic: the solo portraits your parents will frame, the ones with your roommates that go straight to the group chat, and a couple you will be proud to put on LinkedIn.
Convocation weekends are the busiest days of our year. When your ceremony date is confirmed, that is the moment to book, not the week of.
Check your phone. When is the last properly good photo of the two of you together? For most couples the honest answer is the wedding, and that was years and a whole life ago.
You are different people now. Softer in some places, stronger in others, with jokes nobody else understands. That version of you deserves a record too.
We shoot anniversaries relaxed and close: the kitchen you argue about renovating, the trail you walk, the way you still reach for each other’s hand without looking.
Every year you wait is a year you cannot photograph. Make this one the year you finally did.
There is a photograph in your parents’ house that everyone stops to look at. Nobody remembers the day it was taken. Everyone knows exactly who is in it.
That is what we are making. Not stiff, not matching-sweater posed, but the real dynamic: the kid who will not stand still, the dad pretending he hates this, the grandmother in the middle of it all.
We shoot fast and keep it playful, so nobody’s patience runs out before the good frames happen.
Families change shape without warning. Kids grow, grandparents age, people move. The best time to take this photo is always sooner than you think.
These are the friends who have known you through everything, and getting all of them in one city on one weekend is a small miracle that may not repeat.
Bridal and bachelorette coverage is part editorial, part documentary: the styled group frames everyone will use as a profile picture, plus the unguarded ones. Someone crying at a toast, the hotel-room chaos, the 2am pizza.
You will be handed a preview gallery fast, because half the fun is posting them while the weekend is still happening.
You get one of these. Do not leave it to whoever has the most phone battery left.
An agent scrolls your portfolio the way everyone scrolls: fast, half-distracted, deciding before they have consciously decided. Weak images do not get a polite pass. They get a swipe.
We build books that survive that. Clean digitals that prove your lines, a beauty set that proves your face, and two or three editorial frames that prove you can act in front of a lens.
You will get direction the entire time. Chin, weight, hands, breath. Nobody is expected to know what to do on their own.
Every casting you miss with a weak book is one you do not get told about. Fix the book first.
Your headshot is doing work right now, while you sleep. On LinkedIn. In a hiring manager’s tab. In a casting inbox next to four hundred others.
If it is a cropped wedding photo or something taken in a stairwell in 2019, it is telling people something you did not intend.
We light you properly, coach the expression (approachable but not eager, confident but not cold), and deliver files sized for every platform. Most people are done in under 40 minutes and genuinely surprised by the result.
It is the cheapest upgrade to how you are perceived that exists. Book a slot this month and stop wincing at your own profile.
Nobody buys a garment. They buy the version of themselves wearing it: the street it happens on, the light, the attitude.
Editorial work is where a label stops being a shop and starts being a world. We build the concept with you. References, palette, casting, location, movement. Then we shoot it like a magazine, not a catalogue.
You leave with a campaign set, verticals cut for socials, and a look competitors cannot copy, because it is not a preset. It is a point of view.
Seasons do not wait. If you are shooting for a drop, we should be planning six weeks out.
Online, nobody can hold your product. They cannot feel the weight of it or the finish. All they have is your photograph, and they will assume the product is exactly as good as the image.
That is why a mediocre photo does not just look worse, it converts worse. Same product, same price, fewer sales.
We shoot crisp white-background sets for listings, plus lifestyle frames that give the thing a life: on a table, in a hand, in the room your customer already imagines.
Send us the SKUs. We will tell you exactly how many frames you need and what it costs before we touch a light.
The hardest part of building a personal brand is not strategy. It is Tuesday, when you need something to post and everything on your camera roll is three years old or slightly blurry.
A branding session solves that in one afternoon. Working shots, portraits, detail frames, verticals for Reels, wides for banners, organised into a library you can pull from for months.
We shoot in your actual environment so it looks like your business, not a stock photo of someone else’s.
Consistency is what makes people trust a brand, and consistency is impossible without inventory. Build the inventory once.
A listing gets about one second in a scroll. If the first image is dark, tilted, or shot at noon with the blinds shut, the property is already competing from behind, no matter how good it is in person.
We shoot interiors with proper light balance, straight verticals, and staging notes before we start. Rooms read bigger. Wood reads warm. Windows are not blown out.
Delivered next day, sized for MLS, the brochure, and socials.
Days on market cost more than photography does. Shoot it right the first week.
Most people book this thinking it is a gift for someone else. Almost everyone leaves realising it was not.
It is a closed set, a slow pace, and full control. You choose what is shot, what is kept, and what is deleted in front of you. Nothing is ever published, shared, or used as a sample without written permission, and plenty of clients never grant it. That is completely normal.
We direct every pose, so there is no moment of standing there wondering what to do with your hands. Soft light, deliberate shadows, elegance over exposure.
You will never again be exactly the age you are today. Clients say the same thing afterwards: I wish I had done this sooner.
Next year the group chat goes quiet, everyone scatters to different cities, and this exact version of your life (the friends, the hallway, the routine you complain about) stops existing.
Senior portraits are how you keep it. Not the stiff yearbook square, but the real one: your jacket, your city, the way you actually stand.
We shoot on location, keep it fast and low-pressure, and get parents a frame they will put on the wall while getting you the ones you will actually post.
Grad season runs on one calendar and everyone is on it. Book early and shoot in good weather instead of the last free Saturday in May.
You have had the image in your head for months. The colour of it, the mood, the exact frame. And every attempt to explain it has ended with: you kind of have to see it.
This is the session where we build it. We start with your references and end with a lighting plan, a set, and a shot list. Fantasy, vintage, cosplay, editorial concept, whatever the idea is.
These are the images that stop a scroll dead, because nobody else has them. They cannot. It was your idea.
Concept shoots need lead time for props, wardrobe and crew. Bring us the idea now and we will build the plan around your date.
You will spend months and a serious budget on this event, and by 10pm it will be over. What remains is next year’s marketing, the sponsor report, the recap post, and every one of those runs on photographs.
We cover events the way press does: the keynote mid-sentence, the packed room from the back, the handshake that mattered, the branding actually visible in frame.
Same-day selects are available if you need to post while it is still trending.
An event nobody documented is an event that is hard to sell again. Lock coverage as soon as your date is public.